In the bleak landscape of new Christmas films this year, a delightful new half-hour children’s Christmas special has appeared that is perhaps deserving to be called a new family Christmas classic.
It’s been more challenging for me to keep up with the latest films this year, and perhaps I found the slate of Christmas films emptier than usual because I simply scrolled through Netflix’s offerings. (I have lately grown increasingly disappointed with a large portion of Netflix’ original programming, but that is a matter for another post.) I confess I haven’t seen 2018’s Grinch nor Disney’s Nutcracker—both of which I plan to see.
So I was pleasantly surprised when I started watching Angela’s Christmas (a Netflix original), whichis based on the short story written by Frank McCourt, and I continued to enjoy the entire delightful little Christmas special. (Listen to my 5-minute review on Salt + Light Radio Hour here.)
Angela’s Christmas totally deserves to be the new animated family Christmas classic. Centered around little Angela’s imaginative concern for the Baby Jesus being cold, the story has lots of moments of fun and suspense. The animation is delightful, and it has some fun moments that Catholics will appreciate—such as whether or not there was a miracle in St. Joseph’s Church that night! On top of the delightful story, layered writing, compelling characters, believable character arcs, the film is just so darling—it begs for a repeat viewing. Simple enough for young children, the story has more to it for thoughtful adults.
Rather than giving story spoilers, I’ll simply list why Angela’s Christmas is perfect to watch together as a family to “put us in the mood for Christmas.”
1) The Christ Child is the focus of the story, in a way that perfectly brings together the deeper meaning of Christmas (Christ came to save us by sharing everything with us, even our sufferings), and a story that little kids can relate to.
2) The focus on family. Not only is there a lovely plot line for Angela and her brother Pat learning to get along together, but also how their mother explains to them that the real meaning of family is to shelter and support one another. (We catch a glimpse of St. John Paul II’s reference to the family as the domestic church here.)
I also found it completely darling how one of Angela and her big brother’s main concerns was how worried the Blessed Mother would be about Baby Jesus.
3) A focus on the less fortunate. References to the less fortunate—beginning with Angela’s family and of course, with Baby Jesus—are interwoven throughout the story: Angela’s family generously shares their coats with each other just to go to Christmas midnight Mass; the children are obviously compassionate and generous with those less fortunate than themselves, the compassionate policeman who observes how tragic it is to separate a child from his or her family also highlights the plight of those who are deprived of the necessities of life. In a bold choice by the filmmakers, instead of telling the story of Jesus’ birth, Angela’s mother retells the story of Angela’s birth—a day that should have been full of joy but instead was full of suffering that was changed to joy by the love of her children. Her simple story, her gratitude to the children, her obvious courage in the face of hardship, point to the ways that the Christ Child still suffers in our midst today, needing our outstretched hands.
Even though such a delightful film, Angela’s Christmas is missing 2 important things that could have made it an even stronger movie:
1) A lovely Christmas hymn, for which there were many opportunities, and a setting and a tone that would have been perfect. Many hymns would have reinforced the themes of the story, especially a hymn like “What Child Is This.” This is a glaring omission—the filmmakers really missed a big opportunity here to make this a “practically perfect” film.
2) A simple retelling of the Christmas story from a child’s point of view (Angela’s, or perhaps Pat’s). The filmmakers may have decided to let this go because all the characters are so immersed in what Christmas means that it might seem redundant. But by not simply retelling the story, I think some elements of this little short could be lost for those who don’t know the story well, who see Christmas primarily as a family holiday. And who doesn’t need to be reminded why Christmas is a celebration of love?
Despite these shortcomings, this little film packs more into it than the roster of Christmas “feel good” family films. Angela’s Christmas is appropriate for all ages and deserving to become part of the family’s Christmas tradition.
Also noteworthy Christmas movies:
If you haven’t seen The Star, the full-length animated Nativity story told from the point of the view of the donkey who brings Mary to Bethlehem, I highly recommend this wonderfully imaginative tale for children, both playful and respectful approach to the story of Jesus’ birth for little ones. The talking animals give kids an easy way to identify with the characters in the story, especially Mary, whose affinity with all creation—including the animals, no matter how humble—is a beautiful thread running through the film. The Star is also available on Netflix. You can see my full review from last year here.
2017’s The Man Who Invented Christmas is also well worth seeing as a new version of Dickens’s A Christmas Carol, coming especially from the perspective of the author’s struggle to write one of the best stories of all time. (I could relate!) The title is not my favorite, yet it is a worthy retelling of A Christmas Carol, with wonderful performances, some clever writing, and a lovely focus on family. Here is a review from the Director of our Pauline Media Studies Center, Sister Nancy Usselmann.
Incredibles 2 may not be quite as strong as the original, but continues the Incredibles’ tradition of being a visually engaging, creative, and highly enjoyable movie that is at its best when the family is together.
What’s the Story? Fourteen years later after the making of The Incredibles, the sequel picks up right at the point where the first film ended. Despite the “incredible” save of the city by the Incredibles family (secret identity: the Parr family) in the first film, using superheroic ability is still illegal. Both parents (Mr. Incredible/Bob Parr and Elastigirl/Helen Parr) are out of work. In addition, the Parr family is homeless, as their home was destroyed in their last interaction with super villain Syndrome.
Super-wealthy business tycoon Winston Deaver and his technical-genius sister Evelyn contact Bob and Helen to invite them to help restore public and government confidence in superheroes. Their ultimate goal? Making superheroism legal again. Perhaps unexpectedly,they choose Elastigirl as their lead superhero, which means Bob (Mr. Incredible) is left feeling left behind as the kids’ stay-at-home dad whose self-confidence has been deeply shaken. New villain Screenslaver arrives on the scene to hypnotize/manipulate both the general population and superheroes, so that superheroes will be outlawed once and for all.
Once again, writer/director Brad Bird and Pixar/Disney team have made a strong family film that offers exceptional entertainment with “something more” to it. Excellent casting and voice-acting overall, fantastic action scenes—especially as Bob discovers Jack-Jack’s powers—and plenty of laughs will make Incredibles 2 an easy family favorite. (Did you see the Jack-Jack Attack short produced for the original The Incredibles DVD release? Hilarious in its own right, the short is also a great preview/teaser of what I consider the funniest scenes in Incredibles 2—scroll down on Disney’s Incredibles 2 site for a sneak preview of those scenes.)
The movie runs a bit long—both for the genre and for this particular storyline. A couple of scenes when the family members are apart are not just overly long but repetitive, especially Helen/Elastigirl with the Deavers and Bob griping to himself about their choice of Helen as superhero over him. Character development felt weak overall with continued stereotypes. Helen’s arc is nonexistent and Bob seems to have already forgotten the humility that he learned just a few days before. Apart from Bob, the characters are less vulnerable than in the first movie, and just about everyone in the family makes at least one potentially serious and/or really dumb mistake. But in the end, we are still rooting for this zany, lovable family that needs a second adventure for everyone to realize that they are at their best when they work together as a family.
An “Incredible” Windows to the Soul
Not just as a family but also as a movie, Incredibles 2 is at its best when the family members are interacting together. This theme of family—the love and unity of purpose at work in a family with such gifted and unique members—makes this movie a great watch for kids and families and offers lots of potential for deeper discussion.
Being “different,” or how to be special and use our unique gifts is a theme raised in both Incredibles movies. Every member of the family struggles with how to use their superpowers (except for baby Jack-Jack whose powers explode into the second film). Both Incredibles movies raise the question of what is a hero. Is it just having superpowers (or devices that give you extraordinary power)?
This theme of “superpowers” can be discussed from a human perspective, too. What do we do when we have unusual gifts that prevent us from “fitting in” like everyone else? How do we have a responsibility to use those gifts when they’re not considered acceptable? One theme I would have liked to see better addressed (as it is so well done in The Lego Movie) is how everyone matters, whether or not they have a superpower.
A third angle is to see “superpowers” as a metaphor for the supernatural gifts that we have as Catholics which can make us stand out in today’s society (the sacraments, the Commandments, the Beatitudes, the virtues we are called to live), and how we are called to live these gifts in a culture that doesn’t always respect our Faith and our values.
Most of the characters in the film seem to be explored through stereotypes: the working mother who is finally recognized as heroic, the dad with the fragile ego, the obnoxious little brother who fights unceasingly with his teenaged sister who is selfishly obsessed about one thing. The stereotypes feel a bit stale, perhaps not as funny as they could be, but in the end, the comedy still works because several characters move beyond the limitations of their stereotype.
Bob’s journey is by far my favorite: from a frustrated, clueless stay-at-home dad whose eyes are on the prestigious job he doesn’t have, to becoming a dad who decides to give it his best, even seeking out the help he needs so that he can become the best father for his kids: someone who really listens and attends to the real needs of his children. It’s a great illustration of how hard—and wonderful—good parenting really is, and a wonderful example of the special gifts a father can bring to his children.
A few other themes that the movie “cracks open” a door for discussing but does not directly address are:
the tension between men and women (who is better, smarter, etc., especially the scenes between Helen/Elastigirl and Evelyn Deavers when they talk “down” or seem to make fun of men—I’d love to see a Theology of the Body discussion on the complementarity of men and women here!), and
the negative influence of technology, in villain Screenslaver’s rant and ability to hypnotize anyone who is looking at a screen (namely, how watching screens instead of engaging with real life and real people can make us “dumber”). This is a great opportunity to think about how much time we spend looking at screens, and how we spend the time we look at screens.
If you haven’t seen the original movie in a while, it is well worth taking the time to watch both films, with their refreshing emphasis on the importance of family. Putting family first and keeping family together are the true strengths of the Incredibles.
Ready Player One is a classic Steven Spielberg movie: a hugely entertaining, action-driven story jam-packed with 1980’s pop culture references, a movie that only raises questions about (rather than offering insight into) the world of virtual reality.
Ready Player One is set in a dystopian future of 2045 in Columbus, Ohio, where people live in “the Stacks,” or vertical trailer parks, with the situation so dire that most people spend much of their lives in escape in a virtual universe called OASIS. In OASIS, with one’s self-designed virtual identity, it is possible to do or be anything. Although it might seem like play, in OASISpeople can earn their livings or lose everything, to the point that they fall so deep into debt that they are sent to a futuristic version of the Victorian workhouse: a cube where you work off a debt that you might never be able to repay.
Young Wade Watts from the Stacks, spends most of his time in OASIS where he is know as Parzival. The creator of OASIS has recently died and left behind three “Easter eggs” (the gaming world reference for a hidden message, taken from the familiar real-world Easter egg hunt). These Easter eggs, found within 3 challenges, are clues that lead the winner to become the new “owner” of OASIS. The rival VR company has hundreds of gamers working on discovering the first egg, but no one has found it. Wade is determined, along with other “gunters” (short for egg hunters) to succeed.
What makes this movie so entertaining is its countless cultural references to the 1980s, the visually dazzling virtual universe, and the very cool adventures in OASIS (an incredible car chase, dancing in the air, etc.).The seamlessness of going back and forth between the real world and VR shows the master craftsmanship of Spielberg at work: seamless, brilliant, absolutely amazingly well done. Even someone not familiar with video games can easily follow, and we don’t “lose” a sense of Wade’s character, even though much of the time we only see his avatar. One weakness of the movie, however, is that few of the secondary characters are well-developed; instead they are mostly stereotypes, whether avatars or in the real world.
In one way, I expected much more of this movie because I have a special love for Spielberg’s films:
Spielberg directed one of the greatest films of all time, Schindler’s List.
He has never made a movie without a gripping story.
Spielberg knows how to create entertainment that has “something more” to it—perhaps that “something” could simply be described as a human and/or spiritual depth. My favorite example is the adventure film Indiana Jones and the Last Crusade, which, when looked at from the perspective of faith, traces Indy’s journey of coming to faith in recognizable beats.
Spielberg’s journey as a filmmaker, from creating pure entertaining flicks to profound films that explore the height and depth of human experience as well as issues that our society needs to reflect on and examine today.
Disappointingly, Ready Player One doesn’t have the depth that it could, even though the topic—virtual reality—is certainly something that we need to explore as a society. But the attentive viewer can take away more than simple enjoyment from the movie because of its accurate portrayal of virtual reality.
A Window to the Soul?
Ready Player One is classic Spielberg because it is high adventure of a Davidic Wade against an internet company Goliath. The shift from Wade’s individual hunt to the building relationships between Wade and his friends is a welcome development: Wade could not and would not succeed without his collaborators. As these relationships continue to develop in the real world, Wade’s friends bring a shift in the motivation to win. Their quest is no longer just a game, but a cause: to prevent the control of OASIS from falling into corporate hands who will take the commercial aspects of OASIS to a new level of exploitation of its “players” for their own profit.
What is really interesting is the movie’s self-contradictory approach to VR, which rather than offering insight or answers, raises questions:
By the end, Wade clearly understands (and states) that it is not good to spend “all” your time in VR, especially for the most important relationships in your life.
However, the movie spends most of its time in the virtual world which is so much more visually attractive than the real world.
Virtual identity and “real world” identity: how the two can enhance, reflect, or deceive.
At the end of the movie, Wade calls on all the players to risk their virtual lives to save the freedom of the OASIS. (In essence, to “save” the VR, they have to “die” to it—or leave it.)
What is Ready Player One really saying? The movie doesn’t offer any answers, but it is a great launch point for a discussion, especially with young people and gamers:
Is virtual reality a good thing or a bad thing for the human person? for society?
What is the movie saying about VR? Do you agree? disagree?
For a VR universe, is connecting to it in moderation the answer? What is true moderation when it comes to “living in” or “escaping to” a virtual world?
How connected do we “need” to be? What are the risks of spending too much time and energy in VR? How is being connected good for the human person?
What are the differences between having online and in-person relationships? What are the benefits of each? the cons of each? What kinds of personal relationships do I have, and how can I improve my interactions with those whom I care for?
Ready Player One is a fun adventure that offers an easy “in” for beginning a discussion on Virtual Reality–what it is, how it affects us as persons and as a society, and what we need to put in place or keep in mind when we engage with a fantasy world. (And while you watch, keep a list of 80’s pop culture references—Spielberg’s Easter eggs perhaps?—and compare lists at the end of the movie!)
Compiling this year’s list, Top Ten Animated Family Features of the Century for this week’s episode of Salt + Light Radio Hour has been the most fun I’ve ever had creating a movie list! (You can listen here or look for the June 30, 2018 episode here.) A few years ago, I wouldn’t have said that animated features were a genre I particularly enjoyed, but as I put together a list of contenders to consider, review, and in some cases to see for the first time, I realized that the number of quality animated films being made (or being made available) has grown exponentially.I will always be grateful to Disney for the wholesome animated films I grew up with (and for their continuing commitment to children’s entertainment, although sometimes widely varying in quality and value), but now there are a lot of other wonderfully gifted animators producing intriguing animated features. And due to the Motion Picture Academy creating a “Best Animated Feature” category in 2001, more animated films have become more easily available.
As readers familiar with my blog know, I use specific criteria when I offer a commentary on films. To make this top ten list, I especially considered these factors:
great artistry as an animated film, including animation, plot, voices, music, etc.
authentic, meaningful, multilayered story that offers insight into he human experience of being created in the image of God; thus I chose films that specifically explore the dignity of the human person and the giftedness of life
solid entertainment and/or engagement so that the whole family (or in some cases most members of the family) can watch, enjoy, and perhaps discover something more.
Another reason many of these films made it onto this list is that they deal with the universal theme of family, and the importance of family in our lives—a theme that can be appreciated by everyone at every age. However, the films on this list do more than highlight the importance of family; they also show the great beauty of a loving family life and even offer us models of what a loving family can look like—in the midst of difficulty and misunderstanding—and how that love we experience in our family becomes the foundation upon which we build our lives.
I could easily have written a “top 20” list instead! Someday I’ll write a post about all the honorable mentions that are well worth seeing but for various reasons didn’t meet the criteria for viewing by the whole family.
So, check out the countdown! I hope the list helps you pick out a couple of films to watch with your family this summer. I’d love to hear your thoughts on these top ten—please vote in the poll below!
10. Kubo and the Two Strings (2016; PG)
directed by Travis Knight, from Laika Entertainment.
Kubo and the Two Strings is the magical quest of young Kubo, a young boy who supports himself and his fragile mother by entertaining the nearby villagers with his musical stories that literally come to life as animated origami figures when he plays his three-stringed shamisen. Kubo has only one eye and has grown up listening to the fantastical stories that his mother tells him about his past, especially that he must hide from the evil spirit of his grandfather (also known as the Moon King), who stole one of Kubo’s eye when he was a baby, and who wants to steal his other eye. Kubo doesn’t know what is real and what is not, but when he accidentally stays out after dark, his mother gives her life protecting Kubo—both physically and magically.
In his adventurous quest to overcome his grandfather, Kubo is joined by two unusual companions, who help him to find a magical suit of armor that his mother hoped would protect him. Eventually Kubo returns to the village to confront his grandfather. The beauty of the ending is how Kubo is able to escape his grandfather’s evil plan.
Reasons to Watch: Darker than your typical Disney film, Kubo and the Two Strings unerringly weaves together the light and dark motifs of the story: both Kubo’s resilience and ability to play (even in the midst of a life-and-death chase), and his sorrow at the loss of his parents. Incredible animation by the Laika Entertainment Studio, a compelling and brave protagonist, origami figures that fly to life, and a lighthearted tone that balances its approach to the deeper themes of family and loss of loved ones, Kubo and the Two Strings has something for everyone in the family. The importance of family, the respect due to elders and those who have gone before us, the power of stories and the importance of memories, all lead to a wonderful resolution to the story that doesn’t rely on physical violence or “winning.”
9. The Breadwinner (2017; PG-13; based on the children’s novel by Deborah Ellis)
Directed by Norah Twomey, from Cartoon Saloon.
The Breadwinner is about eleven year old Parvana who becomes determined to help her family survive under the oppression of Taliban control after her father is unjustly imprisoned. (Her worn-out mother, her older sister and Parvana herself are not legally allowed to go out without a male accompanying them, so when Parvana’s father is arrested in retaliation for protecting Parvana, their family—including Parvana’s toddler younger brother—are in real danger of starving to death.) The dramatic tension of this film never lets up, and yet, the gentle animation style, Parvana’s unselfish love for her family, her stories for her little brother, and the kindness that she finds—both in her father and in unexpected places—broadens the film’s power, appeal, and accessibility for audiences young and old.
Cartoon Saloon is a relatively new but gifted animation studio that has its own unique style and consistently produces masterpieces, all visually delightful and extraordinarily engaging in their storytelling. The Breadwinner is their third feature. (Their first feature is higher on this list.)
Reasons to Watch: An honest and troubling depiction of life under Taliban control, this is not a film for young children. Parents would do well to watch the film alone first, to evaluate if their youngsters are ready for such a true-to-life story. Watching and then discussing The Breadwinner together as a family would be especially helpful. (This important story should be disturbing for audiences of all ages, as it is worthy to note that, though the film is set in the 1990s when the Taliban first took power, today Taliban presence is once again growing rapidly and controls or influences a large part of the country of Afghanistan.)
Parvana’s loving commitment to family, her courage in both seeking work and providing for her family, and her refusal to give up on seeing her father again, are beautiful and hopeful qualities that show the true heart of Afghan mothers and daughters. My favorite parts of the film were the specially-animated sequences of the story that Parvana tells her younger brother. Though Parvana does not seem aware of it, her story becomes a metaphor for her own life, and her storytelling is how she fights the despair and hopelessness of living in such a dire situation.
(Honorable mention goes to Cartoon Saloon’s second animated feature, Song of the Sea, a much lighter, delightful Selkie fairytale about the magical quest of Ben and his little sister Saiorse, who never speaks. Having lost their mother to the sea when Saiorse was born, Ben treasures the seashell his mother left him. When Saiorse blows into it, the children begin a quest to unlock the mystery of their mother’s whereabouts and Saiorse’s silence.)
8. The Tale of the Princess Kaguya (2013; PG)
Directed by Isao Takahata, from Studio Ghibli.
An ancient Japanese folktale about a tiny princess who is sent to earth as a punishment. An elderly bamboo cutter discovers her magically growing in a bamboo plant. He brings her home and raises her with his wife in the idyllic country side where she happily plays, but the little princess grows too rapidly from a tiny girl into a lovely young woman.
Despite their happy country existence, her father feels his lovely daughter deserves the best money can buy. He finds a rich home in the city for his daughter, and has her trained in the ways of wealthy society. The princess unwillingly obeys her father, torn by her love for her previous life in the forest with her friends, and her desire to obey and make her father happy. But the inhuman process of choosing a husband merely for appearance and status becomesgreatly distressing to the princess. The ending is not a “happily ever after,” but it offers hope and also mystery.
Reasons to Watch: I have not yet found a Studio Ghibli film I didn’t like (here is a list of some of the best Studio Ghibli films I have enjoyed), but The Tale of Princess Kaguya is the studio’s most visually exquisitefilm. With all the hallmarks of a great Studio Ghibli film, there is every reason to watch: a beautifully told story, complex characters, incredibly symbolism in the visuals, and deep themes, including:
choices have consequences
the nurturing and love important for a child in the family
a critique of living by appearances and seeking social status
the value of a simple life of harmony and love
the incredible beauty and gift of nature
The Tale of Princess Kaguya is a gentle, delightful film for the whole family.
7. The Incredibles (2004; PG)
Directed by Brad Bird, from Walt Disney/Pixar Animation.
In some ways, this entire list could be made up of animation giants Disney & Pixar, and it was hard to choose which of their films to highlight. The Incredibles makes it onto the list because it is truly a story for families: a more-than-fun story about a family of superheroes who hide their abilities and try to live a “normal” life.The Incredibles is a coming of age story, but not just for one child or teen. Rather, it’s an entire family’s “coming of age” story, as each family member has his or her own special gift and each member must “grow into” and value their own gifts and those of the other members of their family. Today, The Incredibles is an unusual portrait of a family that has problems and is far from perfect, but is ultimately quite healthy and loving, and who grow closer together—both with their special abilities and simply as the persons they are.
Reasons to Watch: A lighter choice on our list, nevertheless this “family coming-of-age” story offers insights for every member in the family—both animated characters and the flesh-and-blood viewers—all in the context of a loving family with a father and mother who are not only great parents, but understand that their family (not just themselves as individuals) has an important role in the mission of saving the world. (Plus, the sequel is in theaters right now!)
6. Coco (2017; PG)
Directed by Lee Unkrich and Adrian Molina, from Walt Disney/Pixar Animation.
Disney/Pixar has made many outstanding films, and it was hard to choose which to include (see #2 on the list for my top Disney/Pixar pick!) (A couple of excellent runners-up: Finding Nemo, Moana, and Wall-E were serious contendors.) Coco is here on the list because of its wonderful homage to Mexican families. Authentic cultural touches include the Mexican music; the tradition of celebrating the Day of the Dead that, while certainly not a Catholic tradition, does point to the importance of honoring our ancestry; the bright colors and artistic design; and even small gestures of the characters, such as the grandmother throwing her shoe to rebuke her stubborn grandson.
The film centers around young boy Miguel’s dream to become a musician, which is a problem because his large, loving family has a generations-old ban on music. Miguel is a well-drawn, recognizable figure of a young boy who is torn between family and his dream. Well-developed characters, the magic of interacting with family ancestors who are already deceased, all create a wonderfully well-rounded picture of family and highlight the importance of family—even in following one’s dreams.
Reasons to Watch: In addition to the great music, fun, and family themes, Coco’s emphasis on the importance of both love and forgiveness in one’s family is beautifully drawn here.
* The Book of Life (2014; PG) was a runner-up for this spot, and deserves recognition for being the first animated feature film to bring Mexican culture to the mainstream big screen. (I suspect that The Book of Life’s release and DVD sleeper hit status helped Coco’s success.) A refreshingly entertaining and wholesome story with deeply Christian themes, The Book of Life has an astonishing, original, and vivid style of animation; a not-very-predictable plot with unexpected twists and turns, and a few emotional moments that completely hushed a theater full of families with young children. Yet, The Book of Life wobbles a bit in overall quality and seemsto lack some of the authentic touches that made Coco such a moving expression ofMexican culture (perhaps partly due to the choice of music).
Both The Book of Life and Coco are amazing films with remarkably similar themes, but they each carry those themes through their stories in entirely different ways. One feature of The Book of Life that I especially appreciated was the ending—a great ending, but not the “perfectly happily ever after” that is so problematic to find in all Disney films. (If you need more reasons to watch The Book of Life, check out my original review here.)
5. How To Train Your Dragon1 & 2 (2010, 2014; PG)
Directed by Dean DeBlois and Chris Sanders (How To Train Your Dragon 2 directed by Dean DeBlois), from Dreamworks Animation
(based on the book series by Cressida Cowell)
Son of a fearless Viking chief, Hiccup doesn’t fit the Viking mold. He should be learning how to fight dragons. But when he accidentally befriends a powerful Night Fury dragon that he injured, Hiccup discovers that the dragon-fighting Vikings have misjudged their greatest enemy. Instead of being their enemies, dragons could become precious allies—if only he and his Night Fury can overcome the prejudice and fears of the Vikingpeople.
How To Train Your Dragon 2 begins with Hiccup still not “fitting in” to his village or his father’s expectations.Hiccup prefers to go exploring rather than preparing to become the new village chief, but on his explorations, Hiccup discovers both terrible threats and wonderful new discoveries that will change his village forever. But his greatest discovery is how he needs his family to deal with both.
I take secret delight in all stories with great dragon characters, and both of these films are personal favorites of mine, despite some of the films’ weaknesses (for example, some of the dragons get more character development than the stereotypical secondary characters).Above all, these films are unbeatable in the depth and realism with which they explore Hiccup’s character development and the key relationships in his life— above all with his father. I couldn’t choose between these two films is that the first one is really great, but the second film is not just a worthy sequel, but in some ways tops the first film.
The adventure and visual delight of vicariously flying on the back of a dragon, and the stunning attention to the world of dragons make both films artistic masterpieces.
Reasons To Watch: If you are not a dragon-story lover, these films are both profound coming-of-age stories that will resonate with both children and adults. They also delve realistically and deeply into parent-child relationships, the preservation and cultivation of the natural world, and the realistic consequences of dealing with danger, including loss. Although the films also include a good bit of fighting (because the protagonists are Vikings and dragons, after all), the resolution of each film’s major conflict comes not from physical strength or violence but rather by authentic leadership.
Both films are chockfull of fun and strong community and family values.
Note for parents: In addition to the fighting scenes and life-and-death danger of the animated characters, How To Train Your Dragon 2 specifically deals with loss of a beloved major character, and the influence of that loss on Hiccup.
4. The Secret of Kells (2009; PG)
Directed by Tom Moore & Nora Twomey (co-director), from Cartoon Saloon
The story of Brendan, the young nephew of the Abbot of the monastery at Kells, who is entrusted with a series of tasks to help save the Book of Kells from the destruction of Viking invaders (who did indeed attack the monastery several times. In the year 806, 68 monks were murdered at the monastery by the invaders). The film is an imaginative, fantastical fairytale that weaves together Celtic myth and legend and a delightfully playful imagination, centered around the Word of God and set within the context of actual historical events. Note to parents: as imaginative and playful as this film is, some of the animated sequences of the invasion could be very scary for younger children.
Reasons to watch: The Book of Kells is a real, ancient illuminated manuscript of the four Gospels with commentary and exquisite illustrations—thought to be completed by the monks at Iona or Kells around 800 A.D.(The Book of Kells has been called the greatest medieval treasure of Europe.) In the film, the Book of Kells is treated as much more than an artistic treasure. It was one of the precious copies of the Sacred Word of God, and the holy manuscript represents the light of the Gospel that transformed Western civilization. The focus of the film is the urgency of saving this precious copy of the Gospel from destruction. The playful, imaginative spirit of the film resonates well with the playful, imaginative illustrations found in the Book of Kells, such as the film’s mysterious white cat character, whose image is found in the illustrations of the Book of Kells. (I have always found monasteries and convents some of the most joyful places on earth.) The hand-drawn, exquisite style of animation draws on the illuminated art in the Book of Kells itself.
Themes include: art and the imagination, the Bible (especially the Gospel), the Gospel as a light of civilization and the importance of allowing it to continue to shine—in reading the Bible, in sharing Word of God with others, in trying to live the Word of God in the choices we make.
A possible family activity after watching the film would be to look online at some of the exquisite pages of the Book of Kells here or here (or other illuminated manuscripts such as the Lindisfarne Gospels), and invite each member of the family to choose a story from the Gospel to “illuminate.” Then, either create the illuminated story with text and image, or invite each member to talk about how they would illuminate that story—what symbols would they use, which words from the Gospel text would they emphasize, and how.
3. The LEGO Movie(2014; PG)
Directed by Phil Lord, Christopher Miller, from Warner Brothers.
This bright, primary-colored, youngster-friendly story is about ordinary LEGO construction worker Emmet Brickowoski, who accidentally discovers an important artifact (the Piece of Resistance) prophesied about at the beginning of the film. Emmet is identified as the “Special,” a Messiah-like figure who is expected to defeat President Business, who threatens to paralyze all in the LEGO worlds with superglue (the “Krackle”). Emmet’s ordinariness AND specialness are ultimately what will save the LEGO worlds and reinforce the truth that all of us are both ordinary and special.
For a film based on a bunch of interlocking block toys, The LEGO Movie is not just watchable by the whole family, but is truly engaging and has a deeper “something” for kids of all ages, throughout its sometimes zany, often unexpected twists and turns.
Reasons To Watch: Always true to its initial inspiration, The LEGO Movie is brilliantly written and masterfully executed, all with an uncompromising fidelity to primary colors and its young audience. A “spoof” of the popular superhero stories we have been inundated with lately, The LEGO Movie takes us on a journey with a block-like, ordinary construction worker who, by the end, grows into not only recognizing his own specialness, but by recognizing that every “person” (or LEGO character) is uniquely special. As a screenwriter, I am awed each time I see how The LEGO Movie filmmakers accomplish such deeply felt, surprising, and insightful moments, all in a fun way. For more reasons to watch, check out my initial review:
Emmet’s self-sacrifice near the end is a powerful image of selfless, Christ-like love. Where The LEGO Movie really stands out is its twofold message about yearning to be special. Being special is such a fundamental human desire that even grown-ups can resonate with Emmet’s pain when he’s harshly told that he’s not special. But Emmet doesn’t just discover that he’s special (an important message in itself for young viewers). He also discovers how his “specialness” fits with his being part of a community, part of a team. We are all special and unique, and yet we best express how special we are when we “fit” together and work with each other. This second message is delightfully reinforced by the ending, which is refreshingly nonviolent.
2. Up (2009; PG)
Directed by Pete Docter, Bob Peterson (co-director) from Walt Disney/Pixar Animation.
The first eleven minutes of this film make a powerful stand-alone film all by itself—not just a poignant introduction to the protagonist and a backstory that captures our hearts and imaginations, but also a touching tribute to the beauty of married life and an introduction to the themes of the rest of the film.
But those first eleven minutes are also the perfect set-up for a fantastic story about elderly Carl Frederickson, who, still grieving after the loss of his beloved wife Ellie, decides to carry out their childhood dream of following in the footsteps of a famed explorer and flying to the mysterious Paradise Falls in South America. On his fantastical flight (helium balloons lift his house and take him to South America), Carl unknowingly takes along a “stowaway,” young neighbor Russell, who challenges him to go beyond his grief to live a new adventure. And they truly do have a wonderful adventure—not just reaching Paradise Falls and meeting its mysterious inhabitants, but then growing beyond grief and fear.
Reasons to Watch: With its gentleness, spirit of adventure, poignance, laugh-out-loud humor, and talking dogs, there is noreason not to watch this uplifting film! At every moment,we are lifted up with the film’s positive, hopeful view of life—in all its beauty, meaning, and dignity, even at times of grief or sorrow. A gentle, genuinely affecting film made for viewers of all ages, Up is truly the perfect family summer film.
1. Spirited Away(PG, 2001)
Directed (and written) by Hayao Miyazaki, from Studio Ghibli
Spirited Away is considered by many to be the masterpiece of Studio Ghibli and of its most famous director, Hayao Miyazaki. Spirited Away is the story of 10 year-old Chichiro, who is driving with her parents to their new home. A despondent Chichiro already misses her friends, but becomes uneasy when her parents get lost and decide to explore an old building they come upon: an entrance to a seemingly abandoned amusement park, where they find abundant, delicious fresh food. Her parents dig in without question to the food…and eat so greedily that they lose their humanity and become pigs. Chichiro then discovers that she and her parents are trapped in a magical bathhouse for spirits. A seemingly friendly boy named Haku warns her that if she doesn’t leave immediately without her parents, she won’t survive unless she gets a job. So Chichiro signs a contract with the witch in charge, Yubaba, who steals Chichiro’s name and thus traps her there as well.
This short description of the first few minutes of the film doesn’t do it justice. The film is truly a magically animated adventure, filled with an incredibly variety of creatures and settings, wondrously animated with incredible and generous attention to detail.
Reasons to Watch: A truly fantastical adventure filled with strange creatures, Spirited Away is a sheer delight to watch, both for its lavish animation and the deftly developed plotwhich allows us to truly enter into Chichiro’s journey. And it is this magical, realistic journey of young Chichiro that makes this film resonate with viewers young and old, for it is the journey of a young, practically helpless ten-year-old girl whose pluck, determination, and persistence help her both to survive and to mature into a lovely young woman with intelligence, resilience, strength, and goodness. Both fable and fairy tale, every moment in this adventure is much more than it seems, just as each character is much more than they seem. Themes include: the respect that everyone deserves, the virtue of loyalty, the importance of balance, the consequences of gluttony, freedom, the importance of memory, and the reality that the choices we make have consequences.
(All of Studio Ghibli’s films are well worth exploring.Fun note: My personal favorite Studio Ghibli film is Howl’s Moving Castle, which has all the elements of the Spirited Away, plus a strong anti-war theme; the story is lighter, has a smaller cast of characters, and the entire film is more whimsical. Both films have somewhat similar plots, but are handled quite differently. For me, Howl’s Moving Castle is even more delightful that Spirited Away, but I had to give Spirited Away first place due its sheer scope, visual magnificence, and theme of family. Here is a previous post with a quick look at some of the other Studio Ghibli films.)
What do you think? Agree? Disagree? Is one of your family’s favorite animated features (from this century) missing? Please vote for your top three below…and write-ins are welcome!
Sister Rose Pacatte, FSP, is a sister of my community whose name you might recognize, either from the many times I have referred to her on this blog, or simply from her wonderful and insightful film reviews. She just graduated from the Graduate Theological Foundation and received their 2018 Mother Teresa Prize in Spirituality and Community Service.
She is a pioneer in the area of Media Literacy Education, founding our Pauline Center for Media Studies, and also in her work of integrating media consumption with Catholic values—especially social justice in the teaching of the Catholic Church. Here is a short version of her acceptance of the award and her explanation of her doctoral project:
In the new film, Pope Francis: A Man of His Word (directed by one of my favorite filmmakers, Wim Wenders), Pope Francis calls the artist an apostle of beauty. And then he goes on to say that all of us are–or can be–apostles of simple, everyday beauty. He highlights two ways in which that is so…
…but really, you have to watch the movie to find out the rest of what he said (or you can guess in the comments below)!
I’ll be posting a full review of the film shortly, but I just wanted to get a quick word out there about two things:
Pope Francis: A Man of His Word should be seen by the whole world. It is a father’s video-letter to his children, encouraging us, challenging us, and urging us to be more. We catch a real glimpse of the heart of this Pope: personal, warm, direct, hope-filled and yet full of pathos. In the beautifully filmed segments where Pope Francis speaks directly to us, we can see the pain in his eyes–the pain of a father who sees the suffering that some of his children cause his other children.The film will be available in fewer theaters this week, but it is so worth seeing on the big screen. If, however, you miss it, we will certainly be carrying it at our Pauline Book & Media Centers!You can see the trailer here:
This quote from the film (and the entire film) is totally appropriate and fitting for the first-ever “National Creativity Day,” sponsored by ScreenwritingU, which I have found offers quality classes on writing great screenplays. Some great ideas for the day (and beyond), when we struggle with moving forward in our writing/artistic/creative projects! https://www.facebook.com/NationalCreativityDay/