Spotlight: An Intense and Powerful Film

spotlight (1)Spotlight is a tribute to the nobility of investigative journalism, and a powerful film about tragic events.

This film gives tribute to the Boston Globe investigative team’s efforts to end a horrific evil; it’s an honest portrayal of the courage of survivors and the importance of speaking out so that abuse of power—both human and spiritual—cannot continue.

Spotlight is faithful to its title: the film focuses a beam of cinematic light on the journey of the Boston Globe’s investigative team in uncovering the devastating story of the pattern of Catholic clergy sexual abuse in the Archdiocese of Boston and beyond. Spotlight is gripping but restrained, a powerful film where even the cinematography reinforces the sense of tragedy and a need to step back to uncover the truth and make some sense of it. This well-made film gives homage to the best of investigative reporting and unhesitatingly acknowledges the tragedy of clergy sexual abuse, honoring its survivors.

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The film really focuses on the discovery of the reported story from the investigative team’s perspective. It does not take us on any side trips: not on any one person’s journey, not on particular Church officials, not on any specific survivors or abuse story, not on sensationalism. In many ways, the film is so understated, it seems almost factual. (However, like any film based on real-life events, details are oversimplified and events compressed.) Written and directed so that the mainly understated acting is most effective, the film enables us to remember the real heroes here: the survivors, and those who spoke out, whether they were listened to or not.

The brilliance of Tom McCarthy’s direction and script in focusing so closely on the investigation helps us to see many aspects of what happened. The way the investigative team discovers the story, and how that story evolves in their eyes become the movements of the film’s plot. The team begins by researching one particular case already in court at the beginning of the film, and whether Cardinal Law knew what was going on with that specific case. Then they focus on how many priests in the Archdiocese have sexually abused minors. Next the focus of the story switches to whether Cardinal Law ignored or covered up multiple instances of clergy sexual abuse. The final story of the investigative team becomes what is first articulated by the publisher of the newspaper: a systemic problem in the Church in which clergy sexual abuse was covered up and thus able to be repeated.

Because the filmmakers made the wise choice to make the unveiling of the story the plot of the film, we as viewers:

  • gain a sense of the scope of the problem as the investigative team kept clarifying the focus of the story: from individual priest, to individual actions of a bishop, to the numbers that pointed to a pattern, to the systemic ignoring and covering up of the problem so that hundreds of children would continue to be abused by the same pedophiles
  • have a sense of the complexity of the issues
  • take in the story piece by piece, as the investigators do, which helps us as viewers to more easily absorb it

The film takes us just far enough in each direction so that we gain a real sense of the scope of the tragedy, the various effects and consequences on people’s lives (personally, spiritually, developmentally, legally, religiously, etc.). Although we don’t get to know the personal stories of any of the reporters, each member of the investigative team at some point struggles to take in a new discovery or realization. These subtle moments also allow the viewer to wrestle with the scandal on his or her own terms.

Spotlight is not entertainment: it is unswerving in its focus on the tragedy, which gives a seriousness to the storytelling. Two survivors share their horrific stories in some detail, but the detail is kept to a minimum; much is left unsaid. Story-wise, we follow all three investigative reporters and their editor and the aspects of the story they investigate: court cases, survivors, priests who abused minors, a school, lawyers, and a Church spokesperson assisting in the cover-up. Emotionally, we cannot get too invested because each reporter has more than one story to follow. Even visually, the film keeps its distance so we can always keep in mind the larger story.

The spiritual side of the abuse—the scandal, the “death of the soul” involved in a child’s betrayal by the priest who represents God to them, is also handled well, through one survivor telling his story, and through the way two of the reporters personally struggle with the scandal in the light of their own faith which, even as lapsed Catholics, still influences their view. As each member of the investigative team continues to search for proof and verification, he or she seems to become more and more weighed down by the tragedy in excellent, finely-drawn acting, especially by Michael Keaton, Mark Ruffalo, and Rachel McAdams.

Another well-done aspect of the film is how it highlights the tragic consequences of ignoring evil, of good people doing nothing or very little, despite suspicions or knowledge of evil. “It takes a village to abuse a child,” says Stanley Tucci’s character, Mitchell Garabedien, in one of the best lines of the film. At a certain point, the Globe investigators also question themselves: why didn’t they tell this story sooner? How could they have ignored or overlooked “pieces” of the story that had come to them during the previous decade?

Other thoughtful Catholic perspectives on #SpotlightMovie:

Signis Film Jury Statement

Bishop Robert Barron gives his take

Review of Sr. Helena Burns, FSP

Father Roger J. Landry’s Saturday Night Reparation

Should Catholics go see this film? Perhaps. It is a helpful, well-told reflection on a tragic reality that may help viewers gain an understanding of what happened. It is a powerful and tragic example of the corruption of human societies that are ostensibly dedicated to doing good, highlighting the human and sinful aspects of some Church members.

Spotlight tells a story that needed to be told and even more, needs to be remembered:

  • To validate the stories of the survivors who were forced to undergo such suffering and still have the courage to seek justice, reparation, or at the very least, acknowledgment of the terrible tragedy
  • To help all of us to remember to act when we see a child in danger or suspect that a child is suffering
  • To continue to remember and support the survivors. Their lives have been, to some extent, shaped by the betrayal, abandonment, and abuse they underwent. Some people talk about sexual abuse as a killing of the soul. Saying “I’m sorry” once is not enough, because healing is a lifelong process.

If you intend to see Spotlight, here are a few notes to take in with you.

Many characters in the film use the term “the Church” as the subject of sentences describing the clergy sexual abuse and the cover-up. They do not distinguish the various meanings that we as Catholics give to those two words. As Catholics, when we speak of the Church, we might be referring to:

  • the Mystical Body of Christ, the divine-human institution that Christ founded and is head of, and all of the many members striving to be in communion with him
  • the human, visible institution (with all its members, saints and sinners, physical churches, works of mercy, acts of virtue, and sinfulness)
  • the leadership of the Church (e.g. the hierarchy)

Although the dialogue ignores these various meanings, the characters use the term primarily to mean the Church as a human institution, and in some cases, the hierarchy. Thus while “the Church” is sometimes used pejoratively in the film, it didn’t seem to be malicious. Rather, this usage assumes that viewers are familiar with the diversity of members of the Church. It also acknowledges that because of how large a role the Catholic Church has had in the daily life of the people in Boston, the corruption that developed also had wide-reaching power.

Because the film is focused solely from the perspective of the investigative team, it is unable to answer many questions surrounding this tragedy: why clergy sexual abuse happens at all; what is true justice for the survivors of the abuse; how much did various clergy/hierarchy/Catholic lawyers know; how can the Church today assist in the healing of the survivors?

One issue the film could have covered more is the prevalence of child sexual abuse in society, much more so than in the Church. Clergy sexual abuse is a particularly horrific betrayal and evil which should never be tolerated, but it also reflects a larger societal problem. However, simply watching this film already becomes a reminder that one must be vigilant to protect children from abuse, sexual abuse particularly.

While the film doesn’t mention it (and certainly didn’t need to), one effect of the Spotlight team’s coverage is that the Catholic Church now has perhaps the best, most proactive child-protective policy of any institution in the world, to prevent and protect children from sexual abuse.

How To View Spotlight as a Person of Faith

A number of years after the full scale of the clergy abuse scandal was revealed, well-known spiritual writer Father Ronald Rolheiser, OMI, wrote an insightful article, On Carrying a Scandal Biblically, that offered wisdom, faith, and guidance for any Catholic, wherever he or she stood in relation to the sexual abuse scandal. In his reflection, Father Rolheiser raised nine key points, many of them actions to take or attitudes to develop. Because of the respect that the filmmakers brought to this tragic story, viewing Spotlight could help viewers to live some of these steps of carrying a scandal biblically. The film can help us to name what happened, call us to greater compassion, invite us to offer healing (rather than being defensive), help us to see how we can use the humiliation of the scandal as a way to grow in graced humility, and to ponder as Mary did, so that our response to others’ pain and anger can be transformed and offer genuine possibility for healing.

If you feel drawn to seeing this well-made film, I encourage you to visit or re-visit Father Rolheiser’s article as a helpful companion to reflect on both the film and tragedy as a person of faith.

Father Ron has graciously given me permission to repost the entire article below. (You can download it as a pdf from the link above, if you prefer.)


     Our topic is that of carrying a scandal biblically. Perhaps it might more aptly be entitled: “From being scandalized to helping to carry a scandal biblically.”

     I begin with an apology: Clerical sexual abuse is a difficult subject for all of us. It’s a topic that’s full of pain and anger. Moreover, there isn’t just one anger here. The anger is multiple: Victims are angry with perpetrators, priests are angry with their bishops, bishops are angry with the press, Catholics are angry at their church, and a large body of church-goers aren’t sure who to be angry at … and, I suspect, by the time I’m finished with this presentation many of you will be angry at me.

     I want to do three things in this presentation: First, talk about this as a crisis for the church, particularly for the American church; then give some necessary clinical information on the disease of paedophilia; and finally, talk about what it means to carry something biblically.

     For the church in the United States, and to a certain extent for the Canadian church, this is probably the biggest crisis of credibility we have ever faced. Analysts point out that it’s not really a crisis of faith so much as a crisis of credibility, a massive crisis of credibility for young church.

     The Catholic Church is 2,000 years old, but many of us grew up in a church that’s less than 100 years old. The Catholic Church in North America is an immigrant church and it’s still a very, very young church. By and large too, it’s had a wonderful history, with the situation in Quebec being a little exceptional because the church there had some features an established religion; but the rest of North America Catholicism came in with the immigrants, and it came in from where Christianity is supposed to come in – the bottom. For the most part, until this crisis came along, Roman Catholicism in North America enjoyed a wonderful history of trust with its people.

     And then this scandal comes along, creating the biggest crisis of soul and crisis of credibility that the North American church has faced in its young history. This is, in effect, a “dark night of the soul” for us and, like most dark nights of the soul, wounds expectedly and at a particularly vulnerable part of ourselves. When you read the literature on nights of the soul by the great mystics, you see that a dark night of the soul almost always hits you in the achilles heel, as a surprise, where you are most tender and unprotected. That’s true too for this scandal. The whole issue of sexuality, and not just inside the church, is one of those vulnerable spots. Society likes to pretend sex is not an issue, but it’s a massive issue within every culture and every psyche. Sex, anthropology assures us, is next to our instinct for breathing, the most powerful thing on the planet. It hasn’t worked itself out really well anywhere. Although it hasn’t done all that badly either, because it’s produced all of us and through it God has kept the human race going, no  minor achievement. However, all of that notwithstanding, it is easy to be scandalized, especially religiously, when sexual issues are involved.

     There’s a lot of misunderstanding about the disease of paedophilia. We need to highlight its prevalence in our culture, the nature of it as a disease, the utter devastation it does to its victims, and the needs of genuine victims.

     First, some stunning numbers about it’s prevalence: It’s very important to name this so as to contextualize the crisis we are in. Though these numbers pertain to North America, I suspect it isn’t very different in other parts of the world. This is painful to say but, in North America, one out of every four or five persons, girls and boys, comes to adulthood scarred, having been violated sexually, in either a major, traumatic way or in some minor way (though it’s rare that the violation is minor because by its nature all sexual abuse is serious.) In terms of an image, this is what it means: In every fourth or fifth house [statistically] in the Western world, there is some kind of sexual abuse happening. It’s important to keep that in mind because (and I’m not trying to excuse priests and the church officials) sexual abuse is a massive problem in the culture at large.

     Because of the way the issue has constellated, it’s too easy for us to identify the word paedophilia simplistically with priests and with the bishops’ less-than-stellar history of handling its clergy who are accused of it. That’s not to excuse priests, but contextualizing this in terms of its prevalence in the culture keeps us aware that priests are less than .01 per-cent of this massive problem. In fact, statistically, this disease is marginally lower among the clergy and vowed religious than it is among the population at large.

     Moreover, paedophilia is not a celibate disease, not a gay disease, not a married disease, not a man’s disease, nor a woman’s disease. It’s a disease, pure and simple, and, like alcoholism, it cuts across all boundaries, affecting alike clergy and lay, men and women, gay and straight, married and celibate. Like alcohol, it plays no favourites. It’s a sickness and not a question of somebody who is celibate not having proper willpower or of somebody who doesn’t have sex acting out because of that deprivation.

     A comparison can be made to alcoholism: If we could roll the clock back 60 or 70 years, we would see that society then had no understanding of alcoholism as a disease. It naively thought that the problem was simply a failure of willpower: “Why don’t they just stop drinking?” Now we recognize that it’s a sickness and must be understood and treated as such.

     This naive understanding of the nature of the disease is one of the reasons bishops made some mistakes early on. Unaware of the real and deep nature of this as an illness, they believed the perpetrator when he said, “I’ll never do it again.” The perpetrator was sincere in saying that and they were sincere in believing it, but, as we know now, that’s not a responsible statement and there’s a dangerous naivete in believing it because in most cases there’s little chance that the paedophile is not going to do it again.

     What causes paedophilia? While there is now division over a former axiom that held that “every abuser was first abused”, everyone agrees that paedophilia is caused by some massive trauma in childhood. In many, perhaps most, cases the perpetrators were themselves sexually abused as children. Whatever the trauma he or she experienced, the consensus is that it was massively deep and this is part of the very nature of the disease. Paedophilia is an awful disease – but something awful has caused it. Every year we learn more about the devastating nature of sexual abuse. It’s the worst kind of “soul-violence” on the planet. Nothing approximates it. And because devastating trauma, especially the trauma of being sexually abused, can be buried so deeply in one’s memory, when perpetrators act out they often bury the memories of their actions equally as deeply, giving them incredible denial mechanisms. I’ve seen a paedophile pass two lie-detector tests in a row. This makes it hard, and in many cases impossible, to treat the disease.

     The anatomy of the illness itself helps us to understand it: A paedophile is someone who is attracted to a child who has not yet reached puberty. A normal adult is not sexually attracted to a pre-pubescent child. So why is a paedophile attracted to a child? The literature within this area tells us that a reason for that attraction, perhaps the main reason, is not to do with sex itself but with the trauma the perpetrator experienced as a child, namely, his or her pathological attraction is to the child that was lost in the paedophile’s own early childhood trauma. His or her own trauma killed the child in them. Simplistically put, the pathological sexual attraction to children exists in the paedophile because the paedophile has had his or her own childhood stolen from them.

     Finally, and perhaps most important of all, we need to be clear vis-a-vis the effect of sexual abuse on its victim:

     We may never in any way understate the utter devastation of soul that is caused in the victim of paedophilia. There is no greater form of soul-violence on this planet. Nothing so scars, violates, and unravels the soul – literally pulls it apart – as does sexual abuse. I’ve heard two highly respected psychiatrists say that their hunch is that teenage suicide, which is so rampant in our culture (the second leading cause of death among young people in the Western world) is, 80% of the time, the result of sexual abuse. That’s also true, I suspect, for a lot of adult suicides. Sexual abuse scars deeply and permanently. A victim I once worked with shared how she had a single incident when she was about eight years old, in a washroom. She was now in her 30s, married, with three children, and at least once a week when she goes into a bathroom she nauseates and throws up. It’s thirty years later and she is still suffering extreme physical reactions. That’s not untypical, but more the norm.

     And what do victims want from us?

     When victims are asked what we as a church, especially as the official church, can give them, they invariably name several things:

     i) An honest acknowledgment that somebody else is sick (which is important for their own healing). Since generally the perpetrator is not going to do that, the bishop, the provincial, the pope, whoever, must do it. Someone who represents the church must say to the victim: “We hurt you, we were wrong, and we are sorry!” There has to be an honest acknowledgment and apology which may not be a rationalization or half-apology.

     Today this is made difficult because of legal ramifications. There’s tremendous tension today in the church, in chancery offices and elsewhere, between compassion and the Bible, between what we’re called to do by Jesus and what our lawyers tell us to do. Richard Rohr, in a recent article on this in SOJOURNERS, comments on how, given the state of things, we need too to play the legal game, but we must recognize as well that sometimes this is antithetical to what scripture calls us to do. The biblical and the legal often work in opposite ways: Legally, you’re innocent until proven guilty, then punishment is administered. Biblically, you admit guilt, are declared innocent, and there is no punishment. Biblically there is forgiveness, but legally things take a very different course. So today it is often very, very difficult to do the biblical thing.

     ii) Victims also ask another thing of us: “Don’t be afraid of our anger!” On some previous occasions when I’ve addressed public groups on this topic, I first phoned a number of victims and asked them what they wanted me to say. Always one of their responses was: “Tell them not to be afraid of our anger!” By and large, I don’t think we have heard that.


     As Christians we’re asked to carry this scandal biblically. What does that mean? Carrying something biblically means a number of interpenetrating things:

     1) Name the moment:

     Not everything can be fixed or cured, but it needs to be named properly. Jesus called this “reading the signs of times”. This scandal, this particular time in our history as a Catholic Church in America, is a moment of humiliation, a moment of humbling, a moment of pruning. We must begin the process of healing by clearly, and with courage, naming that – and then not, through an over-defensiveness or personal distancing, try to escape the humiliation and what that calls us to.

     2) The call to compassion:

     Our faith is biblical. So the question is: What does our biblical tradition ask of us at this moment, in this painful situation?

     First of all, to radiate the compassion of Christ. That sounds obvious, but, so many times, when we are in crisis the first thing that goes is the compassion and understanding of Christ. Simply put, we too often end up bracketing the fundamentals because we think that our cause is so great and our indignation so justified that we may disregard some of the essentials of compassion, namely, respect, tolerance, patience, graciousness, and understanding. To carry something biblically means, first of all, to reground ourselves in the non-negotiables of Christian compassion – respect, tolerance, patience, and graciousness. Wild anger, disrespect, bitterness, personal distancing, and viciousness will not help carry this to any kind of meaningful closure.

     And our compassion must, first of all, go out to the victim. The cross itself teaches us this. It highlights the excluded one, the one who has been hurt. Empathy must always move first towards the victim.

     Usually, though, we are pretty good at this. Empathizing with a victim generally brings with it a good feeling. This crisis, however, asks us to take compassion to anther level: We are asked too to have compassion for the perpetrator because this person was also a victim and he or she is ill … and ill with the most unglamourous of all sicknesses. No sickness is glamorous but most sicknesses don’t have horrific moral connotations to them. It’s easy to be selective in our sympathy, offering our compassion at those places where we feel good and clean when we give it and withholding it from those people and places where we don’t get a good, clean feeling when we offer it. Compassion for the paedophile is, I believe, a biblical test as to the real measure of our compassion: Can we love and offer empathy when our love doesn’t feel (or look) clean?

     3) Healing, not self-protection and security.

     To carry this scandal biblically means too that healing, not self-protection and security, must be our real preoccupation. Sometimes for bishops, provincials, religious superiors, and church officials there’s a real (and understandable) danger of losing perspective in the face of accusations of sexual abuse. Many times, in fact, we have lost perspective.

     In the vortex this crisis, what has to be our primary preoccupation? To protect the innocent and to bring about healing and reconciliation. Everything else (worries about security, lawsuits, and the like) must come afterwards.

     Part of this too is how we must understand the role of the media and press in all of this. It’s too easy and too simplistic to blame the media for this crisis. They are not the problem; in fact, they are rendering us, the world and the church, a great service, irrespective of how painful this is. The press are not the villain – Don’t kill the weatherman for reporting bad weather! Granted that sometimes their coverage hasn’t been fair, but that’s ultimately not the issue. Beneath it all, the substance is true.

     4) Carrying this crisis is now our primary ministry and not a distraction to our ministry.

     Henri Nouwen used to say, “For years I was upset by distractions in my work until I realized the distractions were my real work!” That is also true for this sexual abuse scandal. This is not a distraction to real ministry in North America, it is the real ministry for the church in North America.

     Carrying this scandal properly is something that the church is invited to do right now for the sake of the culture. It is easy to lose sight of this. The church exists for the world (not vice versa). Jesus said, “My flesh is food for the life of the world [not for the life of the church.]” In essence, Jesus came “to be eaten up by the world”. That’s why, symbolically, he is born in a trough and ends up on a table, an altar, to be eaten. The church exists for the sake of the world and we must keep that in mind as we are faced with this crisis. What does that mean?

     Right now priests represent less than one per-cent of the overall problem of sexual abuse, but we’re on the front pages of the newspapers and the issue is very much focused on us. Psychologically this is painful, but biblically this is not a bad thing: The fact that priests and the church have been scapegoated right now is not necessarily bad. If our being scapegoated helps society by bringing the issue of sexual abuse and its devastation of the human soul more into the open, than we are precisely offering ourselves as “food for the life of the world”, and we, like Jesus in his crucifixion, are helping to “take away the sins of the world.” And as stated before, this is not a distraction to the life of the church, it’s perhaps the major thing that we need to do right now for the world and our culture. There are very few things that we are doing as Christian communities today that are more important than helping the world deal with this issue. If the price tag is that we are humiliated on the front pages of the newspapers and that the Anglican, United, and Roman Catholic Churches of Canada end up financially bankrupt, so be it. Crucifixions are never easy and they exact real blood! It might well be worth it in the long run if we can help our world come to grips with this.

     5) Painful humiliation as a grace-opportunity.

     Purification and pruning, humiliation leading to humility. This is a moment of purification for the church. Granted the rest of the culture is also guilty, but, for too long, we falsely enjoyed clerical privilege. The chickens have come home to roost. Now we’re being pruned, humbled, and brought back to where we’re supposed to be, with the poor, the outcasts. That’s where we are meant to be. Jesus resisted all power other than moral power. Too often we bought into power. Today the Body of Christ is not just being humbled, it’s being humiliated and we have the chance to come to humility through that. This is an important grace-opportunity for all of us inside the church. Biblically, it’s our “Agony in the Garden”.

     What does this imply? Two things:

     i) First of all it implies the acceptance of being scapegoated. In the Garden of Gethsemane, before Jesus has his life-and-death conversation with his Father, he invites his disciples to “Watch”. He wants them to learn a lesson. He has just come out of the Last Supper room and he invites his disciples to go with him into the garden. “Watch and pray!” he tells them. But they sleep through it, overcome not by wine or the tiredness that comes at the end of a day, but, as Luke says, “they fell asleep with sorrow”. They fell asleep out of disappointment, as we also often do. And they missed the lesson.

     What is the lesson? Luke captures it in one phrase: “Wasn’t it necessary!” There is a necessary connection between humiliation and redemption. We can only carry this scandal biblically (offering ourselves up on the altar of humility for the sake of the culture) if we recognize and accept this connection, redemption comes through this kind of pain. And we learn that lesson through “watching” how Jesus did it: “Stay awake, watch, pray!” Unlike the disciples in the Garden of Gethsemane, we must not let ourselves fall asleep because of disappointment.

     ii) Second, this scandal is putting us, the clergy and the church, where we belong, with the excluded ones. When Jesus died on the cross he was crucified between two thieves. There wasn’t just one cross at Calvary, but three. The onlookers weren’t looking at the scene and making distinctions, sizing Jesus up as innocent while judging the other two as guilty. Jesus was painted with the same brush as the others, seen as compromised and tainted.

     Carrying this scandal biblically means precisely to accept that kind of judgement and humiliation without protest. Let me offer an example: A young priest that I know recently went into the pulpit and protested to his congregation: “This thing is very unfair to me! I’m not a paedophile and now people are watching me and sizing me up! I’m scared to wear my collar in an airport, knowing that people will stare at me and wonder: `Is he one too?’ I can’t hug your kids any more and can’t be spontaneous in relationships. This simply isn’t fair!”

     He’s right, it’s not fair, but, on the cross, Jesus is not protesting his innocence, saying: “This isn’t fair to me! I’m not guilty like the other two! Don’t get Me mixed up with them!” Jesus helps carry their sin, the sin of the world.

     The incarnation still goes on: Christ is always hanging, crucified, between two thieves. That’s true too for the young priest whose protest I just quoted and it’s meant to be true for us. The invitation to us as adult Christians is to help carry this scandal – and not, first of all, to protest our own innocence and distance from it. Carrying it also means that we don’t simplistically project it onto the hierarchy, shrugging and saying: “They have a real problem on their hands!” If we do that then we are doing exactly what that young priest did in his selfserving protest. But his was not really an adult response. What should be the response?

     We are the church, all of us, and we need to carry this, all of us. We stand within a tradition that stretches back in time for nearly 4,000 years (of Judeo-Christian revelation and grace). We carry that tradition, but we need to carry all of it, not just the wonderful parts. Yes, we stand in the tradition of Jesus, Paul, the great martyrs, and all the grace that has entered history through the historical church. But, we also stand in a tradition that carries murder, slavery, the inquisition, popes who had mistresses, racism, sexism, infidelity of every sort, and paedophilia. We can’t claim the grace and then distance ourselves from the sin – “This is unfair to me!” We need to carry it all, as Jesus carried everything, grace and sin, good and bad, without protesting his innocence, even though he was innocent.

      6) To carry this scandal biblically asks of us “a new song”.

     Sing to the Lord a new song! We are invited to do that often in Scripture. Have you ever wondered what the old song is? If we are to sing a new song, what’s the old one and how is the new one to be different than the former one?

     Jesus specifies this quite clearly: He tells us that unless our virtue goes deeper than that of the scribes and pharisees (the “old song”) we can’t enter the kingdom of heaven. What was the virtue of the scribes and pharisees? Actually it was quite high. It was an ethic of justice and fairness: an eye for an eye, a tooth for a tooth, give back in kind to everyone. What’s wrong with the simple virtue of justice? Jesus, in his most important homily, one which lays down the central criterion for orthodoxy within our faith, points out the defect within an ethic of justice alone.

     What’s wrong with the ethic of justice alone? It’s too easy! Anyone, he submits, can live the virtue of strict justice at a certain level. A paraphrase of Jesus might read like this: “Anyone can be nice to those who are nice to them, anyone can forgive those who forgive them, and anyone can love those who love them. But can you go further? Can you love those who hate you? Can you forgive those who won’t forgive you? Can you be gracious to those who curse you?” That’s the real test of Christian orthodoxy. And it’s what is being asked of us in this scandal: Can we love, forgive, reach out, and be empathic in a new way? Can we have compassion for both the victim and the perpetrator? Can we have compassion for some of our church leaders who made some blunders? Can we give of our money when it seems we are paying for someone else’s sin? Can we help carry one of the darker sides of our history without protesting its unfairness and distancing ourselves from it? Can we carry a tension that’s unfair to us for the sake of a greater good? Can we help carry something that doesn’t make us feel good and clean?

     7) We need to “ponder” as Mary did.

     Inside of this, we must begin to “ponder” in the biblical sense. How do we do that?

     To “ponder” in the biblical sense, as Mary did, does not mean what it means in the Greek sense (from which our common sense takes its notion), namely, that the unexamined life is not worth living and that we are, consequently, meant to be reflective and introspective. When scripture says, “Mary pondered these things in her heart,” it doesn’t mean that she thought all kinds of deep thoughts about them. What does it mean?

     Let’s begin with an image, Mary at the foot of the cross. What is Mary doing there? Overtly nothing. Notice that, at the foot of the cross, Mary doesn’t seem to be doing anything. She isn’t trying to stop the crucifixion, nor even protesting Jesus’ innocence. She isn’t saying anything and overtly doesn’t seem to be doing anything. But scripture tells us that she “stood” there. For a Hebrew, that was a position of strength. Mary was strong under the cross. And what precisely was she doing? She was pondering in the biblical sense.

     To ponder in the biblical sense means to hold, carry, and transform tension so as not to give it back in kind.

     We can be helped in our understanding of that by looking at its opposite in scripture. In the gospels, the opposite of “pondering” is “amazement”, to be amazed. We see a number of instances in the gospels where Jesus does or says something that catches the crowds by surprise and the gospel writers say, “and they were amazed.” Invariably Jesus responds by saying: “Don’t be amazed!” To be amazed is to let energy, the energy of the crowd, simply flow through you, like an electrical wire conducting a current. An electrical wire simply lets energy flow through it and give it out exactly in kind – 220 volts for 220 volts.

     Being amazed and giving back in kind is wonderful at events like rock concerts or sporting matches, but it is also the root of all racism, gang rapes, and most other social sicknesses. Nobody holds, carries, and transforms the energy and everyone simply gives back in kind. That’s the flaw that Jesus points out in the virtue of the scribes and pharisees, they simply give back in kind, justice for justice, love for love, hate for hate.

     In the gospels only two people aren’t amazed – Jesus and Mary. Mary ponders and Jesus sweats blood. They take in the energy, good and bad, hold it, carry it, transform it, and give it back as something else.

     Jesus models this for us. He took in hatred, held it, transformed it, and gave back love; he took in bitterness, held it, transformed it, and gave back graciousness; he took in curses, held them, transformed them, and gave back blessing; he took in betrayal, held it, transformed it, and gave back forgiveness. That’s what it means to ponder and this is the opposite of amazement.

     Two images can be useful in understanding this: To be amazed, biblically, is to be like an electrical wire, a simple conduit that conducts energy, taking in and giving back in kind. To ponder, biblically, is to be like a water purifier; it takes in all kinds of impurities with the water, but it holds the impurities inside of itself and gives back only the pure water.

     That is what Mary did under the cross – she held, carried, and transformed the tension so as not to give it back in kind. And that is what we are called upon to do in helping to carry this scandal biblically, namely, to hold, carry, and transform this tension, so as not to give back in kind – hurt for hurt, bitterness for bitterness, accusation for accusation, anger for anger, blame for blame.

     And this might mean that, like Mary under the cross, sometimes there is nothing to say, no protest to be made. Rather all we can do is “to stand”, in strength, silent, holding and carrying the tension, waiting until we can transform it so that we can speak words of graciousness, forgiveness, and healing. That’s not easy. Luke, in his gospel, tells us that the price tag for that is “to sweat blood”. There are few phrases, I submit, more apt right now in terms of describing, biblically, what we are called to do in response to this scandal than that cryptic phrase from Luke’s gospel: “to sweat blood.” The author of Lamentations puts it this way: Sometimes all one can do is to put one’s mouth to the dust and wait!

     8) We must re-affirm our faith in God as Lord.

     This too will pass. There will be resurrection, even from this. God is still God and firmly in charge of this universe. Our prayer in times of crisis must be a prayer that precisely affirms that God is still Lord of this world. When Jesus prayed in the Garden of Gethsemane, at his most anguished moment, he began his prayer with the words: “Abba, Father, all things are possible for you!” In essence he is telling God, “You are still firmly in control of this world – even though, tonight, it doesn’t appear like that!”

     We need, in the midst of this crisis, to affirm our faith in the lordship of God. God is still firmly in charge, the centre still holds – betrayal, some bad choices by bishops, inflated media reporting, and predictions of doom on all sides, notwithstanding. The church isn’t dying. Crucifixions don’t end life, they lead to new, enriched life.

     9) We must patiently stay with the pain.

     This is a dark night of the soul which is meant, like every dark night of the soul, to stretch the heart. To be stretched is always painful and our normal impulse is always to do something to end the pain, to make it go away. But the pain won’t go away until we learn the lesson that it’s meant to teach us. Pain of the heart never leaves us until “we get it”, get what it is meant to teach us, and get stretched in the way it’s meant to stretch us. This pain will stay with the church until we learn what we are meant to learn from it.

      And what is it meant to teach us, beyond a new humility?

     That there is a terrible pain within the culture right now, the soul-devastation caused by sexual abuse, and we, the church, are being asked to be like Christ, namely, to have our flesh be food for the life of the world so that this wound might be opened to healing.

Used with permission of the author, Oblate Father Ron Rolheiser. Currently, Father Rolheiser is serving as President of the Oblate School of Theology in San Antonio Texas. He can be contacted through his website,

I Finally Did It ! I Read Geekpriest–and This Is What I Enjoyed Most!

GeekpriestCoverI finally did it!

No, unfortunately I did not become a Jedi knight (unlike Father Roderick, who is holding a lightsaber!).

I finally obtained (note that I did not beg or steal, but borrowed…from halfway across the country!) a copy of Geekpriest: Confessions of a New Media Pioneer, by Father Roderick Vonhögen. I’ve been eagerly anticipating reading Father Roderick’s book for ages (yes, that’s since a whole two years ago when the book was first published by Servant Press/Franciscan Media). One drawback of eager anticipation is that it is easily disappointed. Not only was I not disappointed, but I was fully engaged and tremendously satisfied by this remarkable book.

Most Catholics who work in digital and social media are probably familiar with Father Roderick Vonhögen, the founder of the Star Quest Production Network (SQPN), which uses the media for religious information, evangelization, catechesis, formation, and education. Personally, I first “discovered” Father Roderick through a friend recommending his podcasts, and I continue to listen today. (One of my guilty pleasures is listening to his “Secrets of…” podcasts that explore some of my favorite stories–TV, films, and books.)

I wonder how many of us have actually read this book? A marvelous blend of personal anecdotes and insights on using new media, Geekpriest is delightfully informal and accessible. Anyone who works in Catholic media will enjoy, be inspired by, and learn from this treasure.

Read This Book! (or, My Favorite Parts)

The only way to do justice to this book is to read it in its entirety. However, I’d like to highlight a few of my favorite parts and insights that Father Roderick offers in the hopes of convincing you to read it. Also, all of the keys to communication that Father Roderick points out are actually carried out in his book. (Father truly “practices what he preaches.”) Chapter 1 is my favorite chapter because there he tells the story of his first experience as a new media pioneer (with Star Wars, no less!) and then outlines what he learned from his first foray into the internet as the “Star Wars priest.”

Here are a few of my favorite of Father Roderick’s communication principles, summarized in my own words:

  • engage with and make a personal connection with your audience; put yourself in their place and begin with the common ground you share, something that you are passionate about
  • use more than words: use stories, visuals, deeper content—whatever it takes to connect with whomever you wish to communicate
  • communicate within community: make your communication interactive, build a network, and communicate collaboratively; others’ expertise and insight will enrich both you and and what you communicate
  • use the “seeds of the Gospel” and longings of the human heart expressed in today’s culture to create a connection with the Gospel itself, and use that connection, that common ground, to evangelize

Throughout the rest of the book, it was both a delight and inspiring to see how Father Roderick carried out these and the other “key principles” that he highlights.

Read the Rest of This Book! (or, More Favorite Parts)

Chapter 2 is very much Fr. Roderick’s personal journey to faith and his vocation as a priest, paired with his discovery and comparison of sanctity and superheroes (a comparison I’ve made when talking to kids in a  classroom). The “Superhero Checklist” is not just a good checklist for vocational discernment (which I will highlight on my discernment blog), but also for how we live out our vocations.

Another of my favorite chapters is the Disneyland chapter, as Fr. Roderick dispels the Disney myth that we are the knights in shining armor (because, of course, it is Christ who is the Savior, not us!), and how he slowly and painfully learned balance in his priestly ministry. His “Disney examination of conscience” is a great way to introduce kids to the examination of conscience. His respect for the mythology of fairy tales and other forms of storytelling as ways which can help us to see with new eyes enlivens the entire chapter.

Chapter 4 tells the story of Father Roderick’s first podcast, and also the 5 “I’s” of Communication that he learned in a course on radio that he took at the Pontifical Gregorian University in Rome, and still uses today. They are invaluable for any form of communication—including conversations!

Discover the Rest of Geekpriest for Yourself…

The rest of the chapters follow the same pattern: a fascinating personal story from Father’s life, followed by life-lessons and in many cases, communication- or ministry-lessons. The entire book is so engaging and so personal in tone, that at the end of each chapter, I simply felt that I’d had a great conversation with Father Roderick and wanted to keep on reading. It’s one of the quickest nonfiction reads I’ve ever read, and I’ve already gone back and re-read it a second time…and I will re-read my favorite parts once more before I return my copy shortly.

A final note: if all communicators knew and practiced these principles of communication, boring religious media would cease to exist.

If you aren’t familiar with Father Roderick and his work at, do yourself a favor and check out his podcasts,  website, and above all his engaging book! 

Today’s Webathon Novena Prayer for Artists

day3quoteToday’s Webathon Novena Prayer for Artists: pray with us!

And meet Sr. Laura: the artist without a studio here on Periscope! 




Novena of Prayers for Communicators

Our webathon novena starts today! And it’s not just a fundraiser, but also a novena for all those who work in communications, especially Catholic communicators.

Join us in this nine-day prayer “campaign” for Catholic communicators and all media producers. Today’s beautiful prayer is for the intention that the media will be used more and more to promote all that is true, good, and beautiful:

(prayer continues at:


Christian Film Reviews: Do You Believe? & Faith of Our Fathers

Many of the films produced by explicitly Christian companies struggle to gain an artistry that puts it on the same level as great works of art–or even of popular commercial films. Great films are rare because they are so hard to create, but it’s even harder to make a great film about faith, because faith is an interior reality that is hard to show exteriorly.

I find it encouraging that a good number of Christian-themed films have been made this year and last year, and the Christian filmmakers are growing in skill and making better movies. This past week, I viewed two  films produced by Pure Flix, whose success with God’s Not Dead in 2014 has pushed them forward to produce and distribute a number of films this year. Although neither of the two film is great art, they aren’t great, but aren’t terrible either. Even being somewhat preachy, they can inspire.

You can listen to these film reviews on the Salt + Light Radio Hour here.

Several years ago, a homeless man on the street asked me to bless them, and in the conversation that followed, I found that I was deeply blessed by my encounter with him. Do You Believe? begins with the story that reminds me of that moment: a Christian pastor drives past a street-corner preacher who is dragging a cross through the city streets asking, “Do you believe in the cross of Christ?” When the pastor replies, “I’m a pastor,” the street preacher replies, “If you believe, what are you going to do about it?” This becomes the question that the deeply touched pastor brings back to his congregation. Through his questioning of the depth of his own faith, and the ways the members of the congregation respond to his challenging question, twelve people’s lives are changed.

Do You Believe? has multiple storylines with various characters in crisis—from an EMT who is sued for talking about Jesus to a man who dies in a car accident, to a runaway pregnant teen, to a soldier suffering from PTSD, to a young woman desperate for connection who is contemplating suicide. The finale is an intertwined resolution of most of the major storylines.

Artistically, Do You Believe? has some issues in part because it’s so ambitious: it’s really, really hard to pull off close to a dozen storylines without seeming contrived. (The multiple storyline has become more common but only great filmmakers really pull it off well—like Crash written and directed by Paul Haggis; Do the Right Thing directed by Spike Lee, or some of Robert Altman’s films. Other films have attempted it with some success: Clint Eastwood in Hereafter, and the film Cloud Atlas, which really didn’t work for me.)

In Do You Believe?, the crises of the characters ring true overall, because much of the acting is credible and occasionally riveting, beginning with the small role of the street preacher portrayed convincingly by Delroy Lindo. Sean Astin, Mira Sorvino, and many other actors do a wonderful job of portraying wounded and vulnerable human beings. The film’s believability is stretched too far when the resolutions of the problems are a bit too convenient, especially the contrived intertwining multiple storyline resolutions at the end.

Overall, this is a film that really delves into the pain of human existence and emphasizes that faith needs to be expressed in our lives, that the Cross doesn’t mean that we’re happy all the time, but that belief in the Cross of Christ must be lived: choosing to do the loving thing and trusting that God will work things out. Do You Believe? is rated PG-13 by the . Its mature themes are not so much problematic for young teens and pre-teens, but that these younger audience can’t really appreciate the struggles the characters go through because of these issues. Rather than see this as a family film, I’d recommend it for families with older teens rather than younger ones.

Faith of Our Fathers, on the other hand, is primarily a road trip film, with a powerful parallel story about two soldiers in the Vietnam War. The backstory is beautifully set up with credits introducing the stories of two men leaving their wives to fight in the Vietnam War in 1969. As the film opens in the present day, the son of one of the soldiers (neither returned from the war) discovers mementos of his dad, including a letter from a good friend of his father’s. He goes to find the friend, discovers that the friend also died in the war, but that his son has some letters that refer to his dad which he is willing to share—for a price. These two men appear to share nothing in common–except a longing to know more about their fathers, so they start off on a road trip from Mississippi to the Vietnam Veterans Memorial in Washington, D.C. The road trip becomes torturous for the characters but also, unfortunately, for the viewer, due to a lack of credibility in some of the acting and coincidences.

The real potential of this film is the parallel between the stories of the fathers as they get to know each other in Vietnam, and their sons as they read through the letters together and also get to know each other. In both friendships, one man shares his faith with the other. Although the film falls short artistically in multiple places, robbing it of the power it could have had, there are still some moments that feel genuine and can be moving, especially for those who already have faith.

Faith of Our Fathers is also rated PG-13 for the war violence, but with its less mature themes it could easily be seen by a family with younger teens and maybe even pre-teens, according to parents’ discretion.

Pure Flix offers free resources online for both films: scene clips and sermons for Faith of Our Fathers and group reflection and discussion guides for Do You Believe?–an added benefit to watching the film as a means to reflect and grow in faith.

Both of these films suffer artistically for different reasons, requiring some patience to put up with some preachiness and their assumption that they audience is Christian. But both also have some genuinely moving moments. Even flawed films can remind us of the importance of faith in our lives—and if we’re inspired by just one moment in the film, it can be well worth watching the entire film. What I also find inspiring is the courage and integrity of the actors, producers, writers, and directors who are willing to put themselves out there as Christian filmmakers—who could be making a lot more money doing other kinds of movies, but have chosen to do this kind of film.

I would affirm—with our Founder, Blessed James Alberione, a media pioneer who recognized the urgency of evangelizing with the media back in the early 20th century—that films about the Gospel need to be “worthy in form of the truths which they contain.” We have some serious work to do and grow as Christian artists.

Reflections on the Writing Life: Catholic Perspectives

list-372766_1280If you read my other blog, you know that I needed to take a bit of a hiatus from blogging and writing. While I continue to reorganize my time, I keep finding some fun and interesting resources for writers on the web. Here are some interesting reflections on the writing life, specifically in the context of vocation and mission:

Vermeer’s Window: An artist’s meditation on living in the present moment by Jerome Miller is a wonderfully profound reflection on what it means to live in the present moment according to Miller’s interpretation of a Vermeer masterpiece, “Young Woman with a Water Pitcher.” Reading (and reflecting on) this meditation is well worth the time it takes to read it. Thank you, America Magazine, for making this available online!

Somehow I missed The Jesuit Post’s  “The Catholic Writing Series,” but fortunately I ran into it this past month by accident. I highly recommend each article–I’ve linked to the entire series, which is contributed to by poets, fiction, and nonfiction writers, all of whom offer a sense of the deeper meaning of the vocation to write, the importance of Catholic writing in our world today, and our role as Catholic writers.

You may have already read the recent announcement that the Vatican is launching a digital library on the Church and communications. Currently in beta form and only in Italian, this new digital library currently offers a very complete list and an excellent search engine for any papal or Church documents on communication. (Note that if the documents are available in English, the search engine will bring them up in English and other available languages.) You can find this new digital resource here:

Finally, I am returning to the Salt + Light Radio Hour with Deacon Pedro this Saturday and Sunday with a review of the films, Do You Believe? and Faith of Our Fathers, produced by PureFlix, who also produced God’s Not Dead last year.  You can listen on the Catholic Channel on Sirius, on Relevant Radio, find other broadcasters here, or listen via podcast. 

Sneak Peek of Next Week?

I’m delighted to be currently reading GeekPriest: Confessions of a New Media Pioneer by Father Roderick Vonhögen. Although I’m only halfway through it, I can already recommend it as an entertaining and helpful resource for all Catholic communicators. I hope to post up a review shortly.


Fascinating Watch: Guadalupe–the Miracle and the Message Film Review


The new documentary, Guadalupe: the Miracle and the Message, is a well-paced, fascinating, and moving account of Our Lady of Guadalupe. While balancing the many intriguing aspects of the apparitions and their impact on history, this classically-styled documentary ends with an emphasis on the impact that the message of Our Lady of Guadalupe has on the world—and can have on you—today.

Produced by the Knights of the Columbus, Guadalupe: the Miracle and the Message, is airing on ABC affiliates around the USA from October to December 10, 2015.* (A few stations have already broadcast the film. For those in Canada, Salt + Light TV is broadcasting the documentary on Saturday, December 12, 2015, at 9 PM EST.)

Superbly edited so that attention never wavers, Guadalupe: the Miracle and the Message seamlessly weaves together details of the original account, expert testimony, and pastoral commentary. In less than an hour, the viewer walks away not just with a clear understanding of the message and historical significance of Our Lady of Guadalupe, but a clear invitation to grow in one’s devotion to the woman who so clearly holds out her arms to us as mother.

The documentary begins by taking us through the basic story of St. Juan Diego and the apparitions of Our Lady of Guadalupe, which took place over four days in 1531. Guadalupe: the Miracle and the Message reveals the profound significance of the apparitions to the indigenous people by exploring the symbolic meaning of the tilma to the people and the massive conversions that resulted, as well as summing up the scientific research that cannot explain the tilma’s existence, preservation, and image.

The film continues by taking us through the historical impact of Our Lady of Guadalupe’s appearances throughout Mexico’s history through the Cristeros War to today, to the USA and throughout the rest of the Americas and the world. Narrated by Jim Cavaziel (English version) and Plácido Domingo (Spanish version), the documentary seamlessly weaves in testimonies and insights offered by well-known figures in the Catholic world who have something special to say about Our Lady of Guadalupe.

Based on the book, Our Lady of Guadalupe: Mother of the Civilization of Love by Carl Anderson and Msgr. Eduardo Chávez, this finely-crafted documentary concludes by trying to express the significance of Our Lady of Guadalupe for today. Whether that’s unity, human dignity, hope, the reality that God works miracles in today’s world, the motherly love of our Lady watching over us, or something else, each viewer is invited to discover for themselves.

For me, personally, another treasure of the film was reflecting on Mary as the Star of the New Evangelization whose brief apparitions so brilliantly continue to communicate the saving Good News of Christ to peoples largely resistant to the Gospel. Our Lady of Guadalupe can guide us through our challenging times to witness and communicate Christ in a culture also resistant to his love and mercy.

For Guadalupanas, those who are devoted to or curious about Our Lady of Guadalupe, this is a must-see film. For more information on Guadalupe: the Miracle and Message, including upcoming broadcasts, visit: or follow #guadalupethefilm on Twitter.

Live, share, or grow in your devotion to Our Lady of Guadalupe by supporting this film in three ways:

—Watch Guadalupe: the Miracle and Message either when it airs (you can find out when here) or by purchasing it on (it’s currently #1 in documentaries)

—Share with friends and family when Guadalupe: the Miracle and Message is airing on ABC; watch it together as a family!

—If the ABC affiliate in your area still hasn’t determined a time for the film to broadcast, you can contact them here and request that they air it (via email, phone, or mail).